{"id":2511,"date":"2019-04-27T08:55:36","date_gmt":"2019-04-27T08:55:36","guid":{"rendered":"https:\/\/felixmildenberger.webkombuese.de\/homepage-copy\/"},"modified":"2025-05-20T11:08:04","modified_gmt":"2025-05-20T11:08:04","slug":"felix-mildenberger-conductor","status":"publish","type":"page","link":"https:\/\/felixmildenberger.com\/en\/","title":{"rendered":"Homepage"},"content":{"rendered":"\t\t
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BIO<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Felix Mildenberger has been Principal Guest Conductor of the Filarmonica Teatro Regio di Torino since 2021.\nA continued scholarship holder of the Dirigentenforum, in 2021 he was added by the Deutscher Musikrat to the so-called \u201cMaestros of Tomorrow\u201d\u2013 a list of artists having proven long-standing artistic quality. A year before, he was the first conductor to receive the \"Prix Young Artist of the Year\" at the Festival der Nationen.<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Praised for his \u2018refined technique and clear ideas\u2019, Felix Mildenberger already works with notable orchestras, such as the Royal Concertgebouw Orchestra, DSO Berlin, London Symphony Orchestra, Vienna Symphony Orchestra, Orchestre National de France, Tonhalle-Orchester Z\u00fcrich, hr-Sinfonieorchester, Dresdner Philharmonie, NDR Radiophilharmonie Hannover, Konzerthausorchester Berlin, Deutsche Kammerphilharmonie Bremen, Staatskapelle Weimar, Brandenburgisches Staatsorchester Frankfurt, Bremer Philharmoniker, Nordwestdeutsche Philharmonie Herford, Dortmunder Philharmoniker, Ensemble Modern, Sinfonieorchester Basel, LaFil Filarmonica di Milano, Camerata Salzburg, Belgrade Philharmonic, Orquesta Sinfonica de Tenerife, Orchestre National de Lille, Nagoya Philharmonic, Taipei Symphony Orchestra, Kansai Philharmonic Orchestra, and others.
In 2024, Mildenberger made his debut at the Deutsche Oper Berlin, where he conducted a performance of George Benjamin’s “Written On Skin”.
He has collaborated with soloists such as Julia Fischer, Lucas und Arthur Jussen, Sabine Meyer, Nils M\u00f6nkemeyer, Daniel Lozakovich, Martin James Bartlett, Alexander Krichel, Alexei Volodin, Mikhail Pletnev, James Ehnes and Alexej Gerassimez.<\/p>

In the 2024\/25 season, he will return to the Tonhalle Orchestra Zurich, Brandenburg State Orchestra Frankfurt, Orquesta Sinf\u00f3nica de Tenerife, Belgrade Philharmonic and the Filarmonica Teatro Regio di Torino. He will also conduct the Munich Radio Orchestra, the Philharmonie S\u00fcdwestfalen and the Slovac State Philharmonic for the first time, as well as several performances of Berlioz’ “Damnation de Faust” at the Slovenian National Theatre in Ljubljana.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\tI have known Felix for many years now and I\u2019m proud to see how he has developed his talent!\n
Felix is a very good conductor with a strong musicality and skill.\n
He will have a bright future ahead of him!\n\t\t\t<\/p>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\tPaavo J\u00e4rvi<\/cite>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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He has served as assistant conductor for several conductors such as Bernard Haitink, Paavo J\u00e4rvi, Sir Simon Rattle, Fabio Luisi, Marko Letonja, Gianandrea Noseda, Robin Ticciati, Cristian Macelaru, Emmanuel Krivine and others.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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After winning the Donatella Flick LSO Conducting Competition in 2018, he was Assistant Conductor of the London Symphony Orchestra for two years, where he worked closely with Sir Simon Rattle and conducted numerous concerts.
In 2019-20, he worked in the same capacity for Paavo J\u00e4rvi at the Tonhalle Orchestra Zurich and in 2017-19 at the Orchestre National de France for chief conductor Emmanuel Krivine. The Royal Concertgebouw Orchestra has also repeatedly engaged him as a “cover conductor” for conductors such as Bernard Haitink and Mariss Jansons.
In 2021 he assisted Herbert Blomstedt on his US tour with the Boston Symphony Orchestra and the Cleveland Orchestra.
In opera productions, he has assisted Marc Albrecht at the Deutsche Oper, Jane Glover at the Aspen Opera Centre and Jukka-Pekka Saraste at the Bavarian State Opera in Munich. He has also conducted concerts as part of the Impuls Festival for New Music. Since 2014, he has been chief conductor and artistic director of the Sinfonieorchester Crescendo Freiburg, which he co-founded.

Born in Germany in 1990, Felix Mildenberger received his first musical training in violin, viola and piano and studied Conducting in Freiburg and Vienna. His teachers include Lutz Koehler, Gerhard Markson, Mark Stringer, Scott Sandmeier, Massimiliano Matesic and Alexander Burda. He additionally studied with Paavo J\u00e4rvi, Bernard Haitink, David Zinman, Marko Letonja, Johannes Schlaefli, James E. Ross and others in masterclasses. In 2016 and in 2017 he was a Conducting Fellow with the Aspen Music Festival, where he studied with Robert Spano, Markus Stenz and Hugh Wolff, and where he was awarded the “Robert Spano Conductor Prize”. In 2017, he won the second prize at the 12th Cadaqu\u00e9s Orchestra International Conducting Competition\u00a0 and in 2020, he was named \u201cYound Artist of the Year\u201d by the the Festival der Nationen.
He has been a scholarship holder of the “Forum Dirigieren” of the German Music Council in 2017-23 and of the Deutsche Bank Foundation’s “Akademie Musiktheater heute” in 2017-19.
From 2015 to 2017, he taught orchestral conducting at the Freiburg University of Music and led a masterclass for young conductors at the Mozarteum University Salzburg during the Mozartwoche 2020.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Download his biography here >><\/strong><\/a><\/p>

Please discard any previously dated material. The text may not be abridged or altered without the prior consent of K\u00fcnstlerSekretariat am Gasteig.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\tFelix Mildenberger is a very intelligent and talented musician who shows great promise in his future career as a conductor.\n\t\t\t<\/p>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\tDavid Zinman<\/cite>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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SCHEDULE<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sat, 25 Apr 26
19:30<\/p>\n St. Gallen, Tonhalle<\/span>\n <\/div>\n

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Swiss Youth Symphony Orchestra<\/h3>\n \n \n \t
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L. Boulanger: “D’un matin de Printemps”
\nL. Boulanger: “D’un soir triste”
\nC. Saint-Saens: Cello Concerto No. 1 in A minor
\nC. Debussy: “La Mer” – trois esquisses symphoniques<\/p>\n\n <\/div>\n <\/div>\n \n

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Samuel Niederhauser, violoncello<\/p>\n\n <\/div>\n <\/div>\n \n

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\n \n \n TO THE ORGANIZER<\/span>\n <\/span>\n <\/a>\n <\/div>\n \n
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Swiss Youth Symphony Orchestra<\/h5>\n