BIO
Felix Mildenberger has been Principal Guest Conductor of the Filarmonica Teatro Regio di Torino since 2021. A continued scholarship holder of the Dirigentenforum, in 2021 he was added by the Deutscher Musikrat to the so-called “Maestros of Tomorrow”– a list of artists having proven long-standing artistic quality. A year before, he was the first conductor to receive the "Prix Young Artist of the Year" at the Festival der Nationen.
Graceful, versatile, and highly musical – these are just some of the characteristics that distinguish Felix Mildenberger as a conductor. Orchestras appreciate the deep seriousness of his approach to music and his great musicality. This includes the London Symphony Orchestra, where he conducted numerous concerts since winning the Donatella Flick LSO Conducting Competition in 2018 and served as “Assistant Conductor” to Sir Simon Rattle, François-Xavier Roth and Gianandrea Noseda among others.
Felix Mildenberger works with many orchestras on a national and international level. These include the London Symphony Orchestra, Orchestre National de France, Tonhalle-Orchester Zürich, Royal Concertgebouw Orchestra, DSO Berlin, NDR Radiophilharmonie Hannover, Konzerthausorchester Berlin, Deutsche Kammerphilharmonie Bremen, Staatskapelle Weimar, Brandenburgisches Staatsorchester Frankfurt/Oder, Bremer Philharmoniker, Ensemble Modern, Orchestre National du Capitole de Toulouse, Orchestre National de Lille, Nagoya Philharmonic and others. He has collaborated with soloists such as Julia Fischer, Lucas und Arthur Jussen, Sabine Meyer, Nils Mönkemeyer, Daniel Lozakovich, James Ehnes and Alexej Gerassimez.
Highlights of the 2022/23 season include the New Year’s Concert with the Frankfurt Radio Symphony as well as his debuts with the Camerata Salzburg, the Dortmunder Philharmoniker and the orchestra of the Dresdner Philharmonie.
I have known Felix for many years now and I’m proud to see how he has developed his talent.
I’m happy to have him as my assistant conductor in Zurich. Felix is a very good conductor with a strong musicality and skill.
He will have a bright future ahead of him!Paavo Järvi
He has served as assistant conductor for several conductors such as Bernard Haitink, Paavo Järvi, Sir Simon Rattle, Fabio Luisi, François-Xavier Roth, Gianandrea Noseda, Robin Ticciati, Cristian Macelaru, Emmanuel Krivine and others.
In 2021 he accompanied Herbert Blomstedt on his US tour with the Boston Symphony Orchestra and the Cleveland Orchestra. From 2018 until 2021, he was Assistant Conductor of the London Symphony Orchestra and 2019/20 Assistant Conductor to Paavo Järvi at the Tonhalle-Orchester Zürich, 2017-19 to Emmanuel Krivine at the Orchestre National de France in Paris and “Cover Conductor” to Bernard Haitink at the Royal Concertgebouw Orchestra. In opera productions he assisted Jane Glover at the Aspen Opera Center and Jukka-Pekka Saraste at the Bavarian State Opera in Munich. Furthermore, he conducted concerts as part of the Impuls Festival for New Music. Felix Mildenberger is Chief Conductor and Artistic Director of the Sinfonieorchester Crescendo in Freiburg, which he co-founded in 2014.
Born in Germany in 1990, Felix Mildenberger received his first music education in violin, viola and piano, then going on to study Conducting in Freiburg and Vienna from 2011 to 2015. Among his teachers were Prof. Lutz Koehler HonRAM, Prof. Mark Stringer, Gerhard Markson, Prof. Scott Sandmeier, Massimiliano Matesic and Alexander Burda. He additionally studied with Bernard Haitink, Paavo Järvi, David Zinman, Neeme Järvi, Prof. Johannes Schlaefli, Prof. Nicolás Pasquet, James E. Ross and others in master classes, as well as with John Carewe, Gabriel Feltz, Marko Letonja and Marc Piollet in the course of his Dirigentenforum fellowship.
In 2016 and in 2017 he was Conducting Fellow with the Aspen Music Festival, where he studied with Robert Spano, Markus Stenz, Hugh Wolff, Michael Stern, Johannes Debus. He has been scholarship holder of the Dirigentenforum since 2017 and of the Akademie Musiktheater heute from 2017 until 2019.

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Felix Mildenberger is a very intelligent and talented musician who shows great promise in his future career as a conductor.
David Zinman
SCHEDULE
Sun, 15 Oct 23
18:00
Deutsche Philharmonie Merck
R. Glière: Horn Concerto
G. Mahler: Symphony No. 1
Marc Gruber, Horn
Deutsche Philharmonie Merck
Description
TITAN
R. Glière: Hornkonzert B-Dur
G. Mahler: Sinfonie Nr. 1
„Wie ein Naturlaut“, so soll seine erste Sinfonie beginnen, mit naturhaft-ungeformtem Klangmaterial: Gustav Mahler stellte da eine Musik in den Raum, wie sie vorher nicht denkbar gewesen war, gegen alle Normen. Musik, die von Metaebenen spricht und dabei fesselnd unklassisch klingt, bis heute. Wenn der Solokontrabass die nach Moll verdrehte Melodie vom „Bruder Jakob“ anstimmt, findet man zum ersten Mal in der Musikgeschichte die Vortragsbezeichnung „mit Parodie“ in einer Partitur – beinahe überflüssigerweise.
Wie anders ist da das Hornkonzert des in Kiew geborenen Reinhold Glière verortet! Gut 70 Jahre nach Mahler Sinfonie ist es entstanden, aber im neoklassischen Stil gehalten mit deutlich romantischem Einschlag. Und es ist hoch virtuos, vom Solisten wird nicht zuletzt eine exzellente Atemtechnik verlangt. Über die verfügt Marc Gruber als Solohornist des hr-Sinfonieorchesters sozusagen naturgemäß. Dirigieren wird Felix Mildenberger, der bereits als 25-Jähriger zu eben jenem hr-Sinfonieorchester eingeladen wurde und der als Assistent von Simon Rattle und Paavo Järvi früh auf sich aufmerksam gemacht hat.
Programme
R. Glière: Horn Concerto
G. Mahler: Symphony No. 1
Soloist
Marc Gruber, Horn
Mon, 23 Oct 23
20:00
Filarmonica Teatro Regio di Torino
A. Copland: “Appalachian Spring” – 1945 Suite for full orchestra
G. Mahler: Symphony No. 4
Christina Landshamer, soprano
Filarmonica Teatro Regio di Torino
Programme
A. Copland: “Appalachian Spring” – 1945 Suite for full orchestra
G. Mahler: Symphony No. 4
Soloist
Christina Landshamer, soprano
Sun, 19 Nov 23
11:00
Nordwestdeutsche Philharmonie
W. A. Mozart: Piano Concerto No. 24 in C minor, KV 491
F. Mendelssohn Bartholdy: Symphony No. 5 in D minor, op. 107, “Reformation”
Martin James Bartlett, piano
Nordwestdeutsche Philharmonie
Programme
W. A. Mozart: Piano Concerto No. 24 in C minor, KV 491
F. Mendelssohn Bartholdy: Symphony No. 5 in D minor, op. 107, “Reformation”
Soloist
Martin James Bartlett, piano
Tue, 21 Nov 23
19:30
Nordwestdeutsche Philharmonie
F. Mendelssohn Bartholdy: “The Hebrides”, Concert Overture op. 26
W. A. Mozart: Piano Concerto No. 24 in C minor, KV 491
F. Mendelssohn Bartholdy: Symphony No. 5 in D minor, op. 107, “Reformation”
Martin James Bartlett, piano
Nordwestdeutsche Philharmonie
Programme
F. Mendelssohn Bartholdy: “The Hebrides”, Concert Overture op. 26
W. A. Mozart: Piano Concerto No. 24 in C minor, KV 491
F. Mendelssohn Bartholdy: Symphony No. 5 in D minor, op. 107, “Reformation”
Soloist
Martin James Bartlett, piano
Sun, 10 Dec 23
15:30
Wiener Symphoniker & Wiener Singverein
Music by P. I. Tchaikovsky, E. Humperdinck, John Williams, Alan Silvestri and others.
Marco Simsa, Sprecher
Wiener Symphoniker & Wiener Singverein
Description
Programme
Music by P. I. Tchaikovsky, E. Humperdinck, John Williams, Alan Silvestri and others.
Soloist
Marco Simsa, Sprecher
Tue, 12 Dec 23
09:00
Wiener Symphoniker & Wiener Singverein
Music by P. I. Tchaikovsky, John Williams, Alan Silvestri and others.
Marco Simsa, Sprecher
Wiener Symphoniker & Wiener Singverein
Description
Programme
Music by P. I. Tchaikovsky, John Williams, Alan Silvestri and others.
Soloist
Marco Simsa, Sprecher
Mon, 18 Dec 23 to Sun, 28 Jan 24
Deutsche Oper BerlinDeutsche Oper Berlin
George Benjamin: “Written on skin”
Deutsche Oper Berlin
Description
Drei Engel blicken aus der Gegenwart zurück in jene Zeit, in der jedes Buch ein kostbarer, auf »Haut geschriebener« Gegenstand war. In diese Epoche reist einer der Engel und schlüpft in die Rolle eines jungen Illustrators, der im Auftrag des gewalttätigen Protectors ein Buch über dessen Verdienste schreiben soll. Im Haus des Protectors tritt er auf Agnès, dessen jüngere Frau, die von ihrem Mann eifersüchtig bewacht wird. Agnès beginnt eine Liebesaffäre mit dem Engel in Künstlergestalt. Der Protector entdeckt die beiden, tötet den Illustrator – und bereitet ein Mahl, bei dem er seiner Frau das Herz des Geliebten vorsetzt.
Basierend auf einem Text aus mittelalterlichen Quellen gelang Autor Martin Crimp, Komponist George Benjamin und Regisseurin Katie Mitchell mit WRITTEN ON SKIN 2012 ein sensationelles Gleichnis über Identität, Liebe und die Macht von Literatur und Kunst. Die englische und französische Presse feierte Benjamins bis dahin zweite Oper; sie wurde 2013 mit dem International Opera Award ausgezeichnet und mit dem Kritikerpreis der »Opernwelt« als Uraufführung der Saison 2012/13. Wir zeigen die Originalproduktion zum ersten Mal in Berlin.
Programme
George Benjamin: “Written on skin”
Soloist
Wed, 03 Jan 24
Bayerische Musikakademie HammelburgBrucknerorchester Coburg
G. Mahler: Symphony No. 9
Brucknerorchester Coburg
Programme
G. Mahler: Symphony No. 9
Thu, 01 Feb 24
20:00
Jenaer Philharmonie
F. Delius: “Walk to the paradise garden” – Intermezzo from the opera „A Village Romeo and Juliet“
R. Vaughan Williams: Tuba concerto in f minor
D. Schostakowitsch: Symphony No. 5 in d minor, op. 47
Bruno Osinski, Tuba
Jenaer Philharmonie
Programme
F. Delius: “Walk to the paradise garden” – Intermezzo from the opera „A Village Romeo and Juliet“
R. Vaughan Williams: Tuba concerto in f minor
D. Schostakowitsch: Symphony No. 5 in d minor, op. 47
Soloist
Bruno Osinski, Tuba
Fri, 09 Feb 24
20:00
Belgrade Philharmonic Orchestra
I. Brkljacic: “The Ticking of a Long-forgotten Clock”
N. Paganini: Violin Concerto Nr. 1
C. Saint-Saens: “Danse Macabre”
G. Mahler: “Totenfeier”
Sergey Krylov, violin
Belgrade Philharmonic Orchestra
Programme
I. Brkljacic: “The Ticking of a Long-forgotten Clock”
N. Paganini: Violin Concerto Nr. 1
C. Saint-Saens: “Danse Macabre”
G. Mahler: “Totenfeier”
Soloist
Sergey Krylov, violin
Thu, 15 Feb 24
19:30
Deutsche Oper Berlin
George Benjamin: “Written on skin” – opera in three parts
-
Musikalische Leitung: Felix Mildenberger
-
Inszenierung: Katie Mitchell
-
Bühne, Kostüme: Vicki Mortimer
-
Licht: Jon Clark
-
Dramaturgie: Sebastian Hanusa
-
Protector: Mark Stone
-
Agnès: Georgia Jarman
-
First Angel / The Boy: Aryeh Nussbaum Cohen
-
Second Angel / Mary: Irene Roberts
-
Third Angel / John: Chance Jonas-O’Toole
-
Orchester: Orchester der Deutschen Oper Berlin
Deutsche Oper Berlin
Description
Oper in drei Teilen
Libretto von Martin Crimp nach dem anonymen okzitanischen Text „Guillem de Cabestanh – Le cœur mangé“ aus dem 13. Jahrhundert
Uraufführung am 7. Juli 2012 am Grand Théâtre de Provence in Aix-en-Provence
Premiere an der Deutschen Oper Berlin am 27. Januar 2024
empfohlen ab 16 Jahren
1 Stunde 30 Minuten / Keine Pause
In englischer Sprache mit deutschen und englischen Übertiteln
Einführung: 45 Minuten vor Vorstellungsbeginn im Rang-Foyer rechts
-
Musikalische Leitung: Felix Mildenberger
-
Inszenierung: Katie Mitchell
-
Bühne, Kostüme: Vicki Mortimer
-
Licht: Jon Clark
-
Dramaturgie: Sebastian Hanusa
-
Protector: Mark Stone
-
Agnès: Georgia Jarman
-
First Angel / The Boy: Aryeh Nussbaum Cohen
-
Second Angel / Mary: Irene Roberts
-
Third Angel / John: Chance Jonas-O’Toole
-
Orchester: Orchester der Deutschen Oper Berlin
Programme
George Benjamin: “Written on skin” – opera in three parts
Soloist
-
Musikalische Leitung: Felix Mildenberger
-
Inszenierung: Katie Mitchell
-
Bühne, Kostüme: Vicki Mortimer
-
Licht: Jon Clark
-
Dramaturgie: Sebastian Hanusa
-
Protector: Mark Stone
-
Agnès: Georgia Jarman
-
First Angel / The Boy: Aryeh Nussbaum Cohen
-
Second Angel / Mary: Irene Roberts
-
Third Angel / John: Chance Jonas-O’Toole
-
Orchester: Orchester der Deutschen Oper Berlin
Sun, 03 Mar 24
14:30
Taipei Symphony Orchestra
P. I. Tschaikowsky: Piano Concerto
A. Dvorak: Symphony No. 6 in D major
Alexei Volodin, piano
Taipei Symphony Orchestra
Programme
P. I. Tschaikowsky: Piano Concerto
A. Dvorak: Symphony No. 6 in D major
Soloist
Alexei Volodin, piano
Wed, 17 Apr 24
18:05
Bremer Philharmoniker
- Carl Maria von Weber: Der Freischütz – Ouvertüre
Carl Maria von Weber: Klarinettenkonzert Nr. 2 Es-Dur, op. 74
Antonín Dvořàk: Symphonie Nr. 6 D-Dur, op. 60
Andrii Paliarush, Clarinet
Bremer Philharmoniker
Programme
- Carl Maria von Weber: Der Freischütz – Ouvertüre
Carl Maria von Weber: Klarinettenkonzert Nr. 2 Es-Dur, op. 74
Antonín Dvořàk: Symphonie Nr. 6 D-Dur, op. 60
Soloist
Andrii Paliarush, Clarinet
Sun, 21 Apr 24
11:00
Bremer Philharmoniker
- Carl Maria von Weber: Der Freischütz – Ouvertüre
Carl Maria von Weber: Klarinettenkonzert Nr. 2 Es-Dur, op. 74
Antonín Dvořàk: Symphonie Nr. 6 D-Dur, op. 60
Andrii Paliarush, Clarinet
Bremer Philharmoniker
Programme
- Carl Maria von Weber: Der Freischütz – Ouvertüre
Carl Maria von Weber: Klarinettenkonzert Nr. 2 Es-Dur, op. 74
Antonín Dvořàk: Symphonie Nr. 6 D-Dur, op. 60
Soloist
Andrii Paliarush, Clarinet
Fri, 17 May 24
The Symphony Hall, Osaka, JapanKansai Philharmonic Orchestra
L. v. Beethoven: Piano Concerto No.5 in Eb Major
C. Franck: Symphony in d minor
Ikuyo Nakamichi, piano
Kansai Philharmonic Orchestra
Programme
L. v. Beethoven: Piano Concerto No.5 in Eb Major
C. Franck: Symphony in d minor
Soloist
Ikuyo Nakamichi, piano
Mon, 10 Jun 24
20:00
Staatskapelle Weimar
Sir Arnold Bax: “Tintagel”
R. Vaughan Williams: „Songs of travel“
Sir Edward Elgar: “Enigma Variations”
Aris Argiris, baritone
Staatskapelle Weimar
Programme
Sir Arnold Bax: “Tintagel”
R. Vaughan Williams: „Songs of travel“
Sir Edward Elgar: “Enigma Variations”
Soloist
Aris Argiris, baritone
Press
March, 2020
Bachtrack / bachtrack.com
Bachtrack – Belgrade Philharmonic Orchestra, March 2020
„Mildenberger shaped a performance that was full of energy and drive, stormy and turbulent where necessary as in the first movement, relaxed and good-humoured at other times as in the third. Changes in dynamics and tempo contributed to an exciting account. (…) The grand melody in the finale brought us to an exciting conclusion of a fine concert.“ [J. Brahms: Sinfonie Nr. 1, c-Moll]
Bachtrack – Belgrade Philharmonic Orchestra, March 2020
„Mildenberger shaped a performance that was full of energy and drive, stormy and turbulent where necessary as in the first movement, relaxed and good-humoured at other times as in the third. Changes in dynamics and tempo contributed to an exciting account. (…) The grand melody in the finale brought us to an exciting conclusion of a fine concert.“ [J. Brahms: Sinfonie Nr. 1, c-Moll]
„Remarkably, the orchestra and conductor Felix Mildenberger gave such a fluent, nuanced performance that one would have imagined that it was a core piece of their repertoire.“ [Ana Sokolova: Concerto for orchestra]
„Meanwhile Mildenberger kept a light touch in the orchestra, providing a restrained support to the soloists. The humour of the concerto was evident throughout (…) to bring a smile to the faces of audience and orchestra alike.“ [C. Stamitz: Concerto for Clarinet, Bassoon and Orchestra]
Autor:in: Peter Connors, „Belgrade boys star in an unusual Carl Stamitz concerto“, in: bachtrack, 08.03.20
Felix is a very gifted young conductor. He combines great technical skills and an excellent ear with extraordinary musicality and stunning professional attitude.
Gerhard Markson
CONTACT
General Management
KÜNSTLERSEKRETARIAT AM GASTEIG
Elisabeth Ehlers – Lothar Schacke – Verena Vetter
Montgelasstrasse 2
81679 München
Germany
TEL.: +49 (0)89 4448879-0 | FAX: +49 (0)89 4489522
LOTHAR SCHACKE: lothar.schacke@ks-gasteig.de
Local Management (Benelux)
BRINKS ARTISTS MANAGEMENT
Herengracht 453
1017 BS Amsterdam
The Netherlands
KIKA NIEUWENHUIS: kika@brinksartists.nl
Tel: +31 (0)20 6 43 20 43 | Mob: +31 (0) 6 52046761
Local Management (Japan)
JAPAN ARTS
Mr. Jun-ichi Nihei
nihei@japanarts.co.jp
To contact Felix directly,
please write to contact@felixmildenberger.com
Photography by
Jasper Ehrich
Doug Peters